Derrell Stewart

    This man was the first pianist that influenced me to pursue Southern Gospel Music.  As the pianist for the famous Florida Boys Quartet, his blend of humor and beautiful touch on the piano have blessed literally thousands of fans the world over.  I've been able to call him a friend since 1980 and I've been numbered with his admirer's since 1974.

Smiling Joe Roper

    The quintessential quartet pianist!  Joe played for many groups during his long career but is best known for his tenure with both the Stamps Qt. and the Melody Boys Qt.  His use of chords was very unique and his solos were always creative and fun.  I am always awed to hear anything by Joe.   I met him shortly after joining the Cathedrals and he was always interested in hearing me "try" to emulate his playing.  He was a true pioneer and will always be ranked with the greats.

Eva Mae LeFevre   

    Eva Mae is the first lady of southern gospel piano.  Known for her incredible "convention" style of playing, she set the standard for anyone learning gospel piano.  Audiences all across America thrilled to her solos and group accompaniment.  Eva Mae is one of those players whose style is instantly recognizable.   When she kicks her right hand into high gear...get ready to be amazed.

Wally Varner

    Wally came into his own playing for the Blackwood Brothers.  He blended elements of "stride", "jazz" and "ragtime" to create his signature sound.  Arpeggios exploded from the piano when Wally took the bench.  His accuracy and showmanship made him a household name. 

Jackie Marshall

    Another Blackwood pianist that amazed the world.  Jackie is one of the most creative, entertaining, and loved players in southern gospel history.     

Hovie Lister

    Mr. Quartet.  Hovie set the rhythm and foundation that made the Statesmen Qt. legends.  Hovie never considered himself a solo pianist, but an accompanist.   That he was!  His influence on gospel pianists is still being felt today.  He was rock steady and had just the right rhythm to be a band in his own right.

Lari Goss

    Lari has it all.  One of the worlds great producers, Lari is in the top 5 of my all time favorites.  Weather it's a ballad, or a straight ahead country feel, Lari will have the right feel.  His signature is the big ballad.  Lush arrangements and incredible chords are keywords in describe a "Goss" arrangement.  His taste and choice of just the right notes make him world class.

Lorne Matthews

    This Canadian pianist spent a few years with the Cathedrals.  A classically trained player, Lorne is one of the most advanced technical players I've ever heard.  His arrangement of "The Battle Hymn of the Republic", is considered one the best piano performances on record.

Tommy Fairchild

    Tommy spent several years with the Blackwoods during the 1970's.  Another example of a solid, tasteful player.  One of the best accompanists in our history.

Earl  Brewer

    Earl Brewer should be required listening for anyone interested in becoming a southern gospel pianist.  He has it all!  Amazing touch, great rhythm, sparkling right hand and creative use of it all.  I've listened to his recordings accompanying a quartet and playing solo.  I've yet to find a weakness. 

Henry Slaughter

    I first heard Henry play at one of my first concerts with the Cathedrals.  I was so intimidated I could hardly play.  He's a true legend.  As a writer he has written songs that are standards in the quartet field.  As a pianist he has touched a generation of young men and women trying to get that special "Slaughter" sound.

Haskell Cooley

    Haskell made a name for himself as pianist for the Cathedrals from 1974 to 1979.  His playing style is instantly recognizable.  I "borrowed" several of his intros and fills!  His playing connects with audiences and they love him for it.  So do I.

Eddie Crook

    Eddie Crook headed up the Happy Goodman band for many years.  During this time he created a style of sophisticated playing that set the tone for some of the best loved recordings in southern gospel music.  His intro for "the Lighthouse" is still being used by players today.

Howard Goodman

    Happy Howard doesn't sound like anyone else.  Credited with giving the Happy Goodmans their happy sound, Howard is a one of a kind.  I've watched him play and it seemed that his fingers were moving so light that they were hardly touching the keyboard.  I love his playing!

Gerald Wolfe

    One of my favorites from any generation.  I love his touch and his choice of chords.  Gerald is also a great "convention" player. 

Rosa Nell Speer   

    When you look up "exciting pianist" in the dictionary, this is the picture you'll find!   She learned from the best and then made it better.  One of the best rhythm players ever!

Stan Whitmire

    Stan is one of the most respected pianists in our field.  Here again, he is one that can do it all.  I can truthfully say that in ANY genre of music, Stan would be a stand out.

Tracy Phillips

    Tracy along with her mom Eloise are two of America's best players and teachers.  I'm always on the front row when Tracy sits down to play.  Her solos are always well thought out and so interesting.  She plays with such fullness and her creativity is amazing.  I even took a few lessons from her years ago.  She's  truly remarkable!